Stones, The Secrets Within

By Pamela de Brí

Etching, edition of 20

h: 50 w: 70 (cms).

Eight Plate etching on Hannemeule Paper

Idea based on prechristian Standing Stones found in the Celtic areas of Western Europe

£350

Please Note: If you are overseas and interested in a purchase, please note that there will be additional costs for postage and packaging added to this price. Feel free to enquire about this using the button below.

To enquire about this artwork, please go to the artist page.

BLOCKHEADS

By jim roseveare mr

sand, cement, debris

h: 32 w: 23 d: 8 (cms).

Reminiscent of The Easter island heads, Blockheads talks of the distant past  . .  a past of rock formation, of evolution and the rise of homo sapiens. What then of the future?

The sculpture is not for sale but 25 limited edition prints are available for £125 each.

Edition: 1/25 PHOTOGRAPHIC PRINTS.
Signed Edition of 25. Hahnemühle Photo fine art paper 21 x 29.7 cm

£125

Please Note: If you are overseas and interested in a purchase, please note that there will be additional costs for postage and packaging added to this price. Feel free to enquire about this using the button below.

To enquire about this artwork, please go to the artist page.

Those who came before us

By Nicky Sanderson DA, HDFA

Silkscreen

h: 70 w: 90 (cms).

This is the second in a series of 4 screenprints which depicts early human intervention on the landscape of Lewis. The field systems that were present before the Calanais Stones were raised are drawn onto the molten rock base colours of the print. The archeological record of tools and vessels lie discarded and ghostly in the foreground, and the winter and summer moon cycles are acknowledged.

£350

Please Note: If you are overseas and interested in a purchase, please note that there will be additional costs for postage and packaging added to this price. Feel free to enquire about this using the button below.

To enquire about this artwork, please go to the artist page.

Rock forms, Isle of Lewis

By john maclean

Photographic print from film negative

h: 25 w: 38 (cms).

£170.00

Please Note: If you are overseas and interested in a purchase, please note that there will be additional costs for postage and packaging added to this price. Feel free to enquire about this using the button below.

To enquire about this artwork, please go to the artist page.

us and them

By åse vikse

Woodcut

h: 21 w: 70 (cms).

'us and them' is inspired by the Callanish stones, loosely based on a photo taken in 2017 when I visited the Outer Hebrides with my husband.
The islands and their inhabitants far out from the land became an unforgettable experience and we found ourselves captured by the uncompromising nature – just like the steadfast stones.

The stones in this woodcut print can be seen as a collective unity or as unique individuals, but are slowly reduced to obscure figures behind a blurred filter which may allude to the environment they have been positioned in.

It addresses the invisible gap between humans and how we often perceive others who may be different, but ultimately are – the same.

The woodcut is carved from a plank found in a Golders Green street which reflects the honesty and a somewhat reluctance from the wood to become a piece of art.
The discarded object enters the process and becomes exalted as a result of being seen and valued.

£250

Please Note: If you are overseas and interested in a purchase, please note that there will be additional costs for postage and packaging added to this price. Feel free to enquire about this using the button below.

To enquire about this artwork, please go to the artist page.

A Road Less Travelled

By sarah bold

oil on cradled board

h: 30 w: 23 d: 2 (cms).

During the pandemic, in between lockdowns, there was a huge influx of visitors to the Scottish Highlands. The surge in tourism was very much needed and welcomed during such tough economic times, yet it also became a double edged sword as the reality of the numbers was realised. People weren’t just seeking a ‘holiday’, they were seeking an escape, a sense of anonymity and in some cases sadly, an abandonment of responsibility. A sense of isolation and natural beauty makes folk feel understandably free, but for some also unaccountable - and once they are gone it is the landscape itself that records their trespasses and bares the brunt.

To enquire about this artwork, please go to the artist page.