Hulabhaig : Uig Open 2021/22 (Winter online show)

Atlantic Junk

By mary may

Acrylic

h: 60 w: 80 d: 4 (cms).

This is a painting i made in response to the increase in junk which is washed up on our beautiful beaches which has been thrown overboard from fishing boats. I was brought up in a fishing village on the North east coast of Scotland and now reside in Edinburgh. I spend a lot of time on my visits back north in trying to pick up some of the plastic, twine, netting, rubber gloves and boots, boiler suits and plastic containers and flagons. When I was little and growing up in the 60's the beaches were our playggrounds and they were clean and beautiful. No children play there now, and they are full of rubbish and litter.

£560

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Atlantic Junk

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'HERE & NOW • 13'

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'HERE & NOW • 14'

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Notnave I

By william dick

Mixed Media on Panel

h: 100 w: 100 d: 6 (cms).

My paintings record my interest in reconciling different and often estranged qualities and ideas. I work through an experimental evaluation of the co-influence or confluence of organic and geometric, texture and structure, density and transparency, the sensuous history of paint and the austere tradition of minimalism.

Within the context of abstraction, namely geometric and organic, I begin with the fundamental balance between tone, shape and line. I have drawn on ancient symbolic shapes from my Scottish background and I am influenced by the symbolic power of simplest forms of drawn lines such as the circles, concentric circles and spirals of Pictish and Celtic Art. Linear elements in my work derive from this source as well as from African and Aboriginal Art, Abyssinian Warrior Shields and Russian icons, and other lines and shapes that retain, in the broadest sense, some significance within culture. I begin from observation of geological form and the substance of land; of dust, sand, mud and rock as well as the outcrop of local street furniture/ architecture; weather and the effects of weathering, and then of the often extreme and exotic colour of lichen, peat and mosses.

I have drawn on ancient symbolic shapes from my Scottish background, which has led to an interest in circles, concentric circles and spirals that appear repeatedly throughout Pictish and Celtic Art.

£4000

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Notnave I

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Darkness Retreating 2021

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In Retrospect. 2/18

By christine sloman

lithograph and monotype

h: 28 w: 23 (cms).

In Retrospect is essentially about looking back into the past, and about how our memories ebb, flow and evolve in much the same way that tidal water does

£145

£95 (Unframed)

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In Retrospect. 2/18

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EILEANNACH / ISLANDER

By calum lawrence

oil/ acrylic/ ink

h: 84 w: 59 d: 1 (cms).

Eileannach is an example of ourtsider art constructed outwith the formal system of art schools. It exists to express the essential Island archetypes of the sacred and the profane.

£500

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EILEANNACH / ISLANDER

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Towards the Summer Isles

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ERODED

By gill thompson

original collagraph

h: 45 w: 27 d: 3 (cms).

Eroded is part of an experimental body of work created during Lockdown. It is based on a series of sketches and photographs made at Garry beach on the Isle of Lewis of the rhythms and patterns created by the receding tide as it moulded the sands around the base of rocks and boulders.

The collagraph is printed with Cranfield inks on Somerset 300 paper.

£320

£275 (Unframed)

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ERODED

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Retired

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Raided BlackBird Nest And Crow Feather, Isle of Lewis

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Rosa Centifolia

By colin brown

Acrylic and Collage on panel

h: 120 w: 80 d: 2 (cms).

This is a legal scale work created in earlier this year.

It utilises multiple images in a nod to the repeat imagery of Andy Warhol.

It is fully framed in a beautiful bespoke frame

£3500

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Rosa Centifolia

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