By fraser macbeath
A/V
The Outer Hebrides are among rural communities throughout the world experiencing population decline. Out of any Scottish local authority region, The Outer Hebrides is where this is most significant. From 1901 to 2001 the population has fallen by 40% . More recent figures show that population is predicted to decline by a further 16% between 2018 and 2046 while the rest of Scotland is set to increase by 2.4%. The Outer Hebrides comprise more than 70 islands but only 15 remain inhabited today.
This work uses footage recorded in abandoned houses, field recordings from the Isle of lewis and Scottish archival audio in order to give an immersive experience of the loss currently being experienced there.
List of archive material used available on video link.
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By paul holmes
Video
h: 1 w: 1 d: 1 (cms).
The Persistence of Vision was inspired by the way, in contemporary life, that text seems to have become a pre-eminent form of communication, and yet appears so inefficient at delivering nuanced information. In this 'filmed' screenplay, each word flashes on and off on a ticker, and seems to 'persist' in the mind's eye as the next one appears, creating a continuity of sense for the viewer/reader. The work appears to be dependent in its aesthetic on the 'persistence of vision', which, although now evidently discredited as a physiological phenomenon has nevertheless been widely considered within film criticism to be the foundation of the aesthetic of cinema itself.
The script, which was written by the artist, revolves around a lonely Gaelic-speaking boy in the nineteenth century Outer Hebrides, whose obsession with his reflection leads him into conflict, jeopardy, and finally friendship with an English-speaking incomer girl. The narrative is preoccupied with ideas of looking (as is the cinema), selfhood and otherness and, as neither character can speak coherently to the other, about the inadequacy of language.
To enquire about this artwork, please go to the artist page.
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